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Editorial Board: Sven Arntzen (Telemark University College) Arnold Berleant (Long Island University) Pauline von Bonsdorff (University of Jyväskylä) Mark Gottdiener (University at Buffalo) Andres Kurg (Estonian Academy of Arts, Tallinn) Alexandros Ph. Lagopoulos (Aristotle University of Thessaloniki) Kaia Lehari (Estonian Academy of Arts, Tallinn) Mara Miller (Richard Stockton College of New Jersey) Hannes Palang (Tallinn University) Anti Randviir (University of Tartu) Yrjö Sepänmaa (University of Joensuu) Göran Sonesson (Lund University) Peeter Torop (University of Tartu) Published under target-financed research topic no. SF0030054s08 Supported by Cultural Endowment of Estonia Contents Foreword pp. 7-11 [pdf] SUBVERSION/OBEDIENCE KATARZYNA MARCINIAK How Does Cinema Become Lost? The Spectral Power of Socialism pp. 15–28 [pdf] ANDREAS TROSSEK When Did It Get Political? Soviet Film Bureaucracy and Estonian Hand-Drawn Animation pp. 31-45 [pdf] MARI LAANISTE Pushing the Limits: Priit Pärn’s Animated Cartoons and Soviet Cinema Censorship pp. 47-55 [pdf] MARUTA Z. VITOLS Cinematic Weapons: Subversion and Resistance in Juris Podnieks’ Newsreels and Short Documentaries pp. 57–72 [pdf] NATALIA ZLYDNEVA The Trace of the Avant-Garde in Soviet Educational Cinema pp. 75-83 [pdf] KRISTEL KOTTA Why Was The Mahtra War Never Filmed? A Banned Project pp. 85-93 [pdf] SPECTATORSHIP, NATION, GENRE KATIE TRUMPENER ‘When Do We Get Our Cinema?’ Stalinist Populism and East German Media Critique pp. 97-107 [pdf] PETRA HANÁKOVÁ ‘The Films We Are Ashamed of’: Czech Crazy Comedy of the 1970s and 1980s pp. 109-121 [pdf] ANIKÓ IMRE Dinosaurs, Moles and Cowboys: Late Communist Youth Media pp. 123-134 [pdf] BJORN INGVOLDSTAD The Paradox of Lithuanian National Cinema pp. 137-154 [pdf] LILLA TÖKE Idiots on the Ball: Ðvejkism as a Survival Strategy in the East European Imaginary pp. 157-175 [pdf] LAURI KÄRK The Last Relic: From a Genre Film to a Genre Film pp. 177-189 [pdf] SPATIAL POLITICS EVA NÄRIPEA A View from the Periphery. Spatial Discourse of the Soviet Estonian Feature Film: The 1940s and 1950s pp. 193-210 [pdf] BRINTON TENCH COXE Screening 1960s Moscow: Marlen Khutsiev’s Ilich’s Gate pp. 213-227 [pdf] EWA MAZIERSKA The Politics of Space in Polish Communist Cinema pp. 229–245 [pdf] IRINA NOVIKOVA Baltic Cinemas - Flashbacks in/out of the House pp. 247–266 [pdf] Contributors pp. 270-271 [pdf] |